
Tooling & Mould Making
Production tooling cut from your approved data. Whatever the tool does, every piece after it does too.
Read moreEvery collectible we produce moves through six stages, under one roof, in a facility that is wholly ours. Each stage exists to protect one thing: that piece number 500 matches the prototype you approved.
We do not publish our production areas, our tooling, or any project before it launches. Photography is not permitted inside our production areas, for visitors and clients alike. Every process photograph on this site has been deliberately obscured. Not for effect. It is the same discipline that protects your unreleased designs.
You will see how we work. You will not see for whom, or what.

Production tooling cut from your approved data. Whatever the tool does, every piece after it does too.
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Polystone and polyresin, cast with controlled wall thickness, controlled shrinkage and controlled weight.
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The hardest stage in production. Colour standards, spray jigs and masking sequences hold a hand-finished look across the whole run.
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Components become one piece, then it receives its edition number. That number is a promise about how many exist.
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Every batch compared against the approved prototype, item by item. This is where the promise is kept or broken.
Read moreMoulds are cut from the approved data, not from a photograph or a hand measurement. Whatever the tool does, every piece after it does too, which is why the parting lines, draught and dimensions are signed off before a single production casting is made.
Polystone and polyresin, cast to a controlled wall thickness so that weight, shrinkage and the way the piece sits on its base stay inside the tolerance the edition was designed around.
The hardest stage. A gradient that was airbrushed until it looked right is a judgement, not a specification, so it is converted into a colour standard, a spray jig and a masking sequence that a team can repeat across the whole run.
Seams are finished before the final paint, bases are fitted and levelled, and the edition number is issued in sequence and reconciled against the quantity produced.
Packaging has two jobs: get the piece to its destination undamaged, and open the way a collector expects. Art box, window box or foam insert, engineered for the shelf or for direct despatch.
A 30-person quality team compares every batch against the approved prototype rather than against the previous batch, so small differences cannot compound quietly through the run.
62,000 m² of group manufacturing capacity across Huizhou and Huiyang. Around 20,000 m² of it, roughly a third, is dedicated to collectible production at our Huicheng facility.
Not contracted out. Not brokered. Ours.


Send us your character, reference or concept. We will tell you which stages we take on and what they require.